Can’t Find the Words

After Swing, by Kwame Alexander and Mary Rand Hess.

The nation's pulse
can be found in
Charles Mingus's fingers
walking on an upright bass.

There's so much I want to
say to you,
so much I can't
find words for.

Have you ever heard Coltrane
run up and down a scale,
then deconstruct every rule
you thought you knew?

You're right in front of me,
but I can't reach you–
my hands trapped in my pockets,
my throat dry as August sun.

I wasn’t good at being good

Each section is based on the Oxford English Dictionary’s word of the day from December, 2022.

I. carbonado, n.

Um, hello?
I hope this gets to you
at all. I know
I haven’t sent anything
in a while. I want
to explain. And yes,
I’ll get to the mark on my face.

II. finger trap, n.

I need to start at the beginning.
You must have known
I needed to leave.

Whenever I had tried running,
something tethered me —
feet in quicksand.

I didn’t know
I’d actually break away.
I didn’t know
I wouldn’t be able to get back.
I’m sorry.

III. amor, n.

I guess
it was just that—
Dad always
loved you more.

You had basketball trophies,
positive comments on your report cards.
He always said
he never had to worry about you.

I had shit; I had to earn his love.
Sometimes, I thought I had it,
but it would fade away
like the doppler effect of a siren.

That’s why
I did all this:
I had to aim so high,
he’d be forced to see me.

IV. dunning-kruger, n.

I thought I had it—
I thought I had it—
I thought I had it
under control.
I swear.

V. eustress, n.

I knew what I signed up for—
I was going to be
in the first group of people
to terraform Mars.

I had the degrees, the years
of research. My name
was announced on cable news.

I was a leader in our shuttle.
People listened to me,
asked me for guidance.
I couldn’t get enough.

VI. palustrine, adj.

It was like when we were kids,
back at the lake, catching newts
in a plastic bucket.

I always needed to catch more
than you, staying out
after the fireflies showed up.

VII. perfectibilist, n.

It was arrogant to think
we could do better than this.

It was arrogant to think
we could start over.

It was arrogant to think
there was nothing here before us.

VIII. soz, adj.

I’m sorry
all this is coming to you
in pieces.

I had to reconfigure our transmitter
with spare parts of
our landing rig.

IX. carnyx, n.

I took the controls
in our final descent,
convinced I should do it,
only I could do it.

I missed a switch,
a small mistake, enough
to damage the hull.

An alarm echoed
through the ship until
someone else 
repaired the necessary parts.

X. bambi, int. and adv.

The repairs set us back 
several hours.
When it was safe and
I was finally allowed
out of the ship,
I stood on red earth,
saw maroon mountains
meet black sky,
an overwhelming array of stars
around a blue dot
where I knew
you all were.

XI. rantipole, n.

They stopped talking to me,
stopped asking me questions.
I could see
hastily-constructed walls
flash across their faces
when they saw me in the hall.

I offered to help;
they said they had it
under control.

XII. boykie, n.

This keeps happening.
I always get in my own way.

I go too far into the water,
lose my balance in the silt.

Why were my successes
never enough?

I couldn't just pass my tests,
I had to be better than all my classmates.

I couldn't just go to Mars,
I had to lead the people who went to Mars.

XIII. yampy, adj.

Dad was right.
You are the better son.
You wouldn't have
put the lives of your crewmates in jeopardy
to serve your ego.

He never made you attend
your parent-teacher conferences.
I had to sit there
while he voiced every disappoint,
while each teacher reached for any solution.

XIV. bretheling, n.

I joined the survey team
to earn the crew's respect back.
It involved walking alone,
away from their bitter eyes.

In addition to creating a map
of the surrounding area, we were looking
for somewhere to build our base.
That's when I found the cave.

XV. ballyhoo, n.

I updated the map,
sent an alert to the leadership team.
They called me to the conference room,
where they sat around a long table,
cluttered with annotated reports and blueprints.

I stood before them, detailed the cave's location;
its approximate volume; how much time, effort,
material it would take to build a sustainable base.
I-

I emphasized
its safety.

XVI. devil’s coach-horse, n.

There were so many things we-
I didn't know:
the actual depth of the cave,
the small holes within its walls,
the boring insects who created them.

XVII. sambaza, v.

Our ship was modular,
created to be dismantled,
room by room,
once a long-term location was found.

I assisted groups of people pack, travel,
and reconfigure their rooms in the cave.
They thanked me for my help, my discovery,
made eye contact with me again.

XVIII. dreidel, n.

We had a feast
once everyone was housed in the cave,
most of the landing rig left as 
a monument in the red desert
for where our settlement began.

People laughed, ate, played games.
They were so happy.
It would be
the last time that feeling was shared.

XIX. carboy, n.

The next morning,
Hisashi, our agriculturist,
lead his team to establish
micro- and macrocrops
within and outside the cave.

He asked for my help
surveying the land, showed me
all the tubes and bottles for
his complex compost system
and his set up for brewing beer.

XX. hagwon, n.

Many people invited me to help them,
learn their roles.
I was accepted again, fully.
I was seen as a leader again.
I was learning so much.
Things were going so well.

XXI. rinky-dink, n.

So, you should
be able to see the wall behind me.
If it's not in focus, just know that
the shelves have fallen over,
the posters and pictures ripped.

You can actually see 
on this shelf panel, the holes
from the insects that live here.

It fell apart slowly. An air leak
in one of the rooms deepest in.
Patch work covered it, we moved on.
Then more leaks, more patchwork,
until Gloriana died in her sleep.

XXII. mondialization, n.

Gloriana was the lead
of the communication team.
They were constructing the transmitter
to report our progress back to Earth.

Our first report, as you well know, was
her death, no explanation or cause.

XXIII. lip-sync, v.

There was debate
about whether to share
that information right away.

There was debate
about whether to carry on
like nothing happened.

For days, we
cosplayed professionalism:
did the tasks on the docket,
said words with no real meaning.

XXIV. zilch, v.

They left no one.
There's no one
left.

I
examined Gloriana's body,
her room, to look for clues.

Day by day, there was less of her,
not natural decay, chunks bitten off
her limbs.

XXV. christmas, v.

On Earth, I think it was Christmas
when I made that realization.

I wrote a report, took some pictures,
presented my findings to the leadership team.

Two of them were absent. We assumed
they were on an assignment or

were recording messages to send
to their families for the holidays.

We were wrong.

XXVI. hanukkiah, n.

The next day, the lights went out.
Emergency flashlights under our cots
lead us through the hallways.

As we approached the power sector,
there was a whirring sound,
like an engine low on oil.

When the door opened, our flashlights
were whipped out of our hands
by a gust of wind escaping

through a large hole in the wall.
Shards of Tenzin's sweater caught on its rim,
their severed hand on the emergency shut-off lever.

XXVII. chindogu, n.

It all went fast then;
panic has a way of
exacerbating things.

We huddled together,
surrounded by machines
that were utterly useless then.

Gathered in one of the central modules,
we concentrated our food, water, spacesuits,
smuggled weapons and ad hoc ones.

XXVIII. bak kut teh, n.

Hisashi set out on his own,
knife in hand,
to find a specimen
to examine, develop a strategy
for attack.

He returned dangling a beetle
the size of a football
by its antennae.
It oozed a viscous blood,
shade of mulberry.

After some poking, prodding,
he suggested
someone should take a bite
to see if its edible
in case our food supply runs low.

I volunteered.
It all felt like my fault.
It was the least I could do.
As my teeth sank into its flesh,
the floor rumbled, erupted.

XXIX. mugwamp, n. and adj.

A swarm of them
fell like hailstones,
bounced like rubber bullets,
sank teeth and pincers
into whatever they found.

We scattered, ran for the exit,
but there stood the largest of them,
the size of a loveseat,
shrapnel lodged in its exoskeleton,
human blood in its teeth.

Hisashi and I charged with sharpened table legs,
hoping to distract it away from the doorway
while others fled to safety.
They all fell to the swarm, Hisashi fell
when a pincer stabbed his stomach.

Sharp pincers, legs scraped my face as I escaped
alone, the captain of a solo-mission.
I ran to the communications room, this room right here,
through a drafty hallway,
this room, the last lung to hold air.

XXX. dear john, n.

You’re going to learn about this
through an official communication
someday soon.
I typed it up and sent it to NASA
soon as I caught my breath.

But, I needed you to hear it from me.
I needed you to know I tried.
I needed you to see my face one last time,
know we fought back.
I needed you to know no one else should come here.

XXXI. mukbang, n.

I can hear them now
in the walls.

They’re going to get in
any minute now.

I’m not going to make it
back home.

So, I just want you to know
I lo-

a bedroom

a body on the floor
a pool of blood on the carpet

spatter across the frame of a picture
someone in a robe with a diploma

a chair in the corner
under a pile of shirts and jeans

spatter across an unkempt bed
grey comforter with teal bedsheets

a dresser messy with articles and pens
necklaces and earrings

spatter across a full-length mirror
the post-it note affirmations along its edge

a body on the floor
under a thin white sheet

You get to work early.

You get to work early,
pull up into the school’s empty parking lot.
Three street lamps shine their pale glow onto dark asphalt.
The sun hides
behind some blue-black clouds
behind an oft-forgotten portable.

Your car eases into the same spot you always park in:
five east of the planter with the sword ferns.
Its door makes a soft sound as you open it;
it sounds like how you feel when you stretch your quad after a jog.

You walk across the lot, travel mug of coffee in hand.
Crow caws echo off the brick facade of the school,
a faint twee from a tree behind you.
You stop, stand in the middle of the asphalt sea.
Late October.
It’s cold— not heavy-jacket cold, but hug-your-ribs cold.

After a minute or so, you start walking again.
You get out your key, slip it in the lock like a dagger into your victim’s back. 
You think about how improbable it would have been 
to actually pass the stealth check.
You smile, shake your head, go inside.

the girl who lives in your mom’s house

the girl who lives in your mom’s house
cries inside the bedroom walls
when she thinks no one else is there.

the girl who lives in your mom’s house
tosses and turns at night,
awoken by the slightest sound in the dark.

the girl who lives in your mom’s house
laughs at jokes she’s too young for
but was forced to understand anyway.

the girl who lives in your mom’s house
stares into the bathroom mirror,
not recognizing who she sees.

the girl who lives in your mom’s house 
walks from room to room
looking for you.

dragging a mattress

wake up to bleary shadows.
drag a mattress across the bedroom.
wedge it through the threshold.
lay it down on the kitchen floor while coffee brews.
move to the couch when it’s ready.
tell myself to stay awake.
the mattress thrown askew at the edge of the rug.
a rope leading from its corner to my ankle,
layered knots my fingers can’t maneuver.
take a sip.

balance the mattress on my back with my backpack.
fit it in the trunk of my car.
close the door and walk around—
the rope phases through the frame.
lines blend with the headlights’ glow.
the asphalt, visual white noise.
turn the stereo up.
stay awake.

drag the mattress up two flights of stairs.
hide it under my desk.
nudge the corner in when coworkers come by to talk about weekend plans.
hold firm as it pushes back.

a river drone as I drag its edge across the parking lot.
drive off without putting it in the car.
it bounces on the road, thrashes in the wind.
unharmed in the driveway.

lean it against the coffee table while I eat dinner.
scroll through twitter on my phone.
a snake’s tail coils around my forearm, constricts.
sigh, flick my thumb, take another bite.

no stars here

rain
streets under water
torrent of orange leaves
northerly wind
broken maple branches
broken power lines
blue glow off the main road
tremor in the sky
darkened homes
silent neighborhood
rain

Future Versions of You

I saw a version of you
on a cave tour in South Dakota.
Middle-aged.
Three kids, all with your red hair.
A husband with a circle beard.
An accent from a place you would have stayed closeted.
While ascending 300 steps from our tour’s destination,
you joked about not needing a Stairmaster
if you just lived above a cave.

I saw a version of you
in a national park gift shop.
Late-twenties.
Round, thin-rimmed glasses.
Two older people with you,
maybe members of your extended family
or the people who took you in.
A purple dress with neon-green bats
indicative of a family that let you be different.

I saw a version of you
at an overlook above some badlands.
You were with a photographer,
a graduation photoshoot.
A shirt from an 80s band
under a cardigan two sizes too big.
A dandelion twirled between your fingers.
You looked like you.
You looked happy.

The forest fire outside our house

I lie in bed and turn my head
to see your face illuminated by
the forest fire outside our house.

I ask if you need anything at the store,
since I plan on going after work tomorrow
to get some bread and apples.

You blink a few times, shake your head,
say you’re not sure, too tired to think,
but will tell me if you think of anything.

I kiss you goodnight, tell my phone
to close the curtains, block the growing light from
the forest fire outside our house.

Sunrise at Bryce Canyon

You're on the edge of a plateau overlooking a valley of hoodoos
dusted with remnants of yesterday's snowfall.
Predawn light is faint, cold; the air shivers in short gusts of wind.

In a century, the platform your feet are on will not be there,
eroded by air and water down the cliff face's arches
like frames of a cathedral's stained glass windows.