out of the office

out of the office
only three cars in the parking lot

first sunlight of spring
warm on your face

birdsong ahead of you
in the trees beyond the curb

birdsong behind you
under the bleachers by the soccer field

birdsong alongside you
within the sparse bushes of the planter

tears in your eyes

In Another Man’s Mirror

Each section is based on the Oxford English Dictionary’s word of the day from January, 2024.

I. quaaltagh, n.

An empty theatre,
lights still up,
blank screen.

People come in, think
they’re in the wrong room.
It’s nice

to watch them figure it out,
to hear their conversation,
to see if they notice me.

II. cineliterate, adj.

Twenty-four pictures
across the screen
fill your eyes
each second.

Horns and strings
from an orchestra
outside time and space
fills your ears.

You leave your body,
a metaphysical observer
of human behavior,
their ethos and pathos—

until the person behind you coughs.

III. alethiology, n.

I know
this shouldn’t bother me so much,
but I cannot help it.

Escaping this plane,
this strung-up meat bag,
is so nice.

I feel it all
come crashing down on me
instantly.

IV. puffinry, n.

Sit through all the credits,
drive home.

A house that feels
surrounded
by rough rock walls,
cold salt water.

No one ever comes here,
but me.

V. bobol, n.

From the couch, 
framed pictures on the wall
seem to tell the story

of a family
which feels more fictional
every day.

VI. hobson’s choice, n.

He used to say, “Six of one,
half a dozen of the other.”

I had never heard that sentence
before the night we had to choose

between moving into a shitty apartment
or living with my grieving mother.

That felt like the hardest decision
I’d ever have to make,

before our love evaporated
like unattended pasta water,

before I found his ring on my finger
reflected in another man’s mirror.

VII. poncif, n.

We all imagine
we’re the main character
of the movie.

How devastating
to find your story is
derivative drivel

that gets panned by critics,
that bombs at the box office,
that teenagers call “mid.”

VIII. contrarian, n.

On the bookshelf,
by the Lego Space Needle,

there’s a selfie of us
posing at Pike Place Market.

His grin’s wide; his left arm
hugs my face into his shoulder.

I doubt
he was ever really that happy.

I doubt
he meant any of it.

IX. couscoussier, n.

I wanted
to be wanted.

I wanted
to feel something.

I didn’t think
about what it meant.

I didn’t think
about the future.

X. nidification, n.

When it’s time for bed, I

rearrange the three blankets
strewn over the couch,

empty my glass of water
into the pot of a plant he left,

load the dishwasher with
three days worth of plates,

cross off the day’s square
on the Van Gogh calendar he bought,

mentally prepare for another day.

XI. jingo-ring, n.

Everything is weightless
when I’m asleep.

Colors are bright,
my skin warm,

like the universe
is hugging me,

like the universe
understands me—

maybe, even,
forgives me.

XII. grá, n.

I keep making
too much coffee
in the morning.

I keep opening
my phone after
arriving at work.

I keep looking
at the last
message he sent.

XIII. natak, n.

He’s an actor.
We met in college
when he was the lead

in a queer retelling of
Who’s Afraid of Virginia Woolf?
I was a history major

with a friend
in the costume department
who invited me to an after party.

Our hands bumped, reaching
for a slice of Hawaiian pizza.
I was enamored.

XIV. peneroso, n.

The barista asks
how I’m doing.
Their brow pinched
as they place
my chai latte
on the counter.

Dominique says I
look like shit.
“More then usual,”
she adds as
my backpack lands
on my desk.

XV. blue monday, n.

You know how someone
can say something and
it nudges all your tectonic pates?

I tell her she’s right;
I shouldn’t be working today,
and leave with no further explanation.

XVI. prince, v.

It’s unfair, the way
hot people are treated,
how people fall over themselves
to get the smallest interaction.

You don’t mind much
when you’re his boyfriend
and get the runoff.

You do mind when he’s gone,
though, and people ignore you
like the human garbage
you know you are.

XVII. figury, adj.

Back home, I wrap myself
in my tortilla blanket.

I make the mistake
of opening his Instagram page.

XVIII. bitter end, n.

His last post is
from the night I told him.

A familiar streetlamp
under a cloudy moon

outside the bookshop
near the mall.

The caption:
the chorus from “Mister Cellophane.”

XIX. gumboot dance, n.

Guilt claws at my ribs
like bald eagle talons.

Each heart beat,
a seismic event.

My teeth chatter loud
as an open palm on rubber.

My thumb hovers
over the message button.

XX. ripicolous, adj.

I’m torn between two lives,
two branches of potential futures.

One in which I apologize
and maybe he hears me
and maybe we can be together again.

Another in which I atone
for my mistakes, give him space,
and maybe I grow on my own.

But, that’s really only two possibilities
of an infinite set with endless variables.

XXI. piranesian, adj.

Without you,
I feel like

all the color has been sapped
from the world, like

I am on the floor of a cavern and
sunlight is so far away, like

life is a staircase
I’ll never reach the top of.

XXII. nobody-crab, n.

My fingers typed
the letters of the words

without my mind’s consent.
My mind and I tell them

to delete the block of text,
but my thumb,

instead, dashes to
the paper airplane.

XXIII. frontenis, n.

I lose my grip; my phone clatters
against the coffee table

loud as my heart
in my throat,

loud as a rubber ball
slamming against a concrete wall.

XXIV. bermudian english, adj.

When I look at the ceiling,
I see shapes in the shadows.

It’s odd, you know,
how people change you.

You become a mixture
of past-you and them.

Who am I now that
I’m missing part of myself?

XXV. hawker centre, n.

My phone dings,
but I can’t look at it.

I leave it in the living room,
walk around the block.

There’s a circle of food trucks
in the parking lot

of the city park behind Walmart.
I get some chicken satay,

eat it on a bench by the geese
swimming through duckweed.

XXVI. noodgy, adj.

There’s no reason
to put it off anymore.

Clouds roll in, droplets dance
across the lake surface.

I need to go back.
I need to see what he said.

XXVII. mawworm, n.

I’m fine.
I’m normal.

It’s just a message.
It doesn’t have to mean anything.

I don’t have to tie my worth
to whatever it says.

I’ll just read it, process it, and
respond to it like a normal person would.

XXVIII. lardy-dardy, adj.

I walk by the neighborhood
with well-manicured lawns,

two cars in each driveway,
curtains pulled from their windows

to show their dining rooms,
happy families eating together.

XXIX. sectator, n.

My phone lay face down,
alone, on the coffee table.

The only notification
on my home screen is from

YouTube, saying tonight’s
A Closer Look just got uploaded.

Nothing moves in the house;
nothing makes a sound.

XXX. pushmobile, n.

The logical part of me
knows to leave it all alone,

watch a movie, escape
this timeline for a while.

"But. But,"
the other part says,

"what if it never sent?
What if you missed a critical typo?"

I find the message.
He left me on Seen.

XXXI. pettibockers, n.

I am small,
thin as silk.

Exposed, vulnerale,
a rabbit in a meadow.

I almost wish a hawk
would just fall from the sky

and end
this nightmare.

i keep seeing you die before i wake up


you lie in a hospital bed
eyes behind a curtain i can’t touch
you look at me
ask who i am
and a light goes out

we’re at home
around midnight
a single lamp on in the bedroom
on your nightstand
comforter around your neck
eyes closed
you breathe deep
your exhale never ends
your chest caves in
like canyon walls

we’re driving to a concert downtown
you’re at the wheel
merging left to get off on seneca
a mustang goes 20 over
doesn’t see us
clips our left bumper
and your side swings into
the bottom of a semi

we’re eating potato salad
at a picnic table in a city park
by the house your parents moved out of 15 years ago
we’re arguing
but i don’t really know what about
you throw your spoon at my face
storm off
disappear in the parking lot

a different timeline
where we never met
but i see you giving a speech
on the evening news
your name flashes on the chyron
something draws my eyes to it
and i look up
in time
to see a bullet enter your chest

we’re on a hike
along the coast
wading through wet sand, uneven boulders
you say you need a break
sweat coats your forehead
you become pale
chug from your nalgene
the one covered in ferret stickers
you suddenly turn over and vomit
keep vomiting
until you fall over completely
i turn you over, find the sos button
hanging from your shoulder strap
i check your airway and your pulse

you’re at work
busy
i text you to let you know i made it home
but you don’t respond
you’re busy
the weather report on tv is interrupted
by the news
of a bombing downtown
where you work

you smile at me
blood seeps through the gaps
between your teeth
blood drips down your chin
you say it’s okay

Another dead child

You scroll through Instagram
during your mid-shift break.

A capybara balances an orange on its head,
neck-deep in a hot spring.
A toddler’s speech impediment accidentally
makes them say curse words to their mother.
A nonprofit repurposes a dead meme
to ask for donations.
A dead child, one leg missing,
lays in a bloody hospital bed.

You close the app,
open TikTok instead.

A teacher records herself collecting
rent from her students in their classroom currency.
A polar bear breaks open a pumpkin
using CPR-like compressions.
A painting comes into being
one smooth stroke at a time.
Another dead child, three holes in their chest,
lays in a high school parking lot.

You close the app,
check Twitter.

A selfie of someone you know from college
cosplaying as Captain Olimar at a convention.
A screenshot of an obscure Wikipedia page
about maps which omit New Zealand.
A thread about the lack of disability representation
in Disney animated movies.
Another dead child, flies around thier open mouth,
lays in a patch of dirt.

You close the app,
desparately open YouTube Shorts.

A speedrunner discovers a glitch
which warps them to the Ganon fight in Ocarina of Time.
A man explains the origins
of the 9-to-5 workday.
A woman covers “Hedwig’s Theme”
on a hammered dulcimer.
Another dead child, eyes wide,
lays in the basement of Netflix’s next murder show subject.

You put your phone back in your locker,
head back out to the sales floor.

If you exist

If you exist in this reality —
the one we all share — then
what is the cleat hitch
keeping you here?

They say you’re not your body.
Your body, just a vessel for your soul
or consciousness or mind, whatever.
Descartes’s whole thing stemmed
from being able to imagine himself as something else,
and you can too — yourself as
a stellar’s jay knocking seeds all over a porch,
a black bear lumbering over a log post-torpor —
your consciousness still there.
If you lose your foot, you may be
less of a body, but not less of a person.

They say you’re not your thoughts.
The echoes you hear are from someone else
who has no body (probably), lives somewhere
you cannot see, don’t have a name for.
Or, they’re just electric impulses, chemical reactions
from organs you don’t even control —
your body can’t trust you with them.
Sometimes, when you drive to work,
fold laundry, your mind leaves you anyway.
You can’t leave yourself; you’re stuck with yourself
until the battery runs out.

If you exist at all, maybe
you’re just a shadow in the fluid
around a ball of electric meat
inside a collagen cage.

it’s a new year

it’s a new year.
a wet rain fly hangs
over your shower rod.

look over three stacks of unread books.
out your window, rain falls
through steam ascending from
the open mouth of your complex’s hot tub.

ripples jump around the puddle
on the caving pool cover
like the dots on listen to wikipedia
after another gazan hospital bombing.

water drips
from a rudolph nose on your neighbor’s altima,
from the lip of a pot of dead bell peppers,
along the rust marks on the community barbecue.

above the trees,
the sky is a blank sheet of paper
staring back at you.

rivers of ice

in movies
	slow motion
		brings the viewer’s attention
			to critical information

in reality
	slow motion
		allows critical information
			to fade into the ether

in movies 
	your justice complex
		is admirable
		leads to the solution to a problem

in reality
	your justice complex
		is a burden
		causes your ostracization

in movies
	slow motion
		builds tension
			the viewer can’t look away

in reality
	slow motion
		lacks urgency
			the viewer looks at their phone

in movies
	your anxiety
		fuels a pursuit for knowledge
		brings community to the cause

in reality
	your anxiety
		stops you at the threshold
		builds walls around you

in movies
	a happy ending
		applause roars as you’re recognized for your efforts

in reality
	there is none
		calved chunks of ice crowd the bow of your boat

morning routine

you lock the door at least you’re pretty sure you check and the door is indeed locked you pat your pockets to count your keys your phone your wallet but did you lock the door you go back and check and it’s locked you walk to the car and tap your pockets again you can’t remember locking the door you think about object permance as you reassure yourself the door is locked by turning the knob and pushing it three times you make it to the car and use your key to start it lay your phone and wallet in the empty space by the gearshift you tap all three as you pull out of your driveway then again as you turn out of the apartment complex to drive to work you’re pretty sure you locked the door

a calm shadow

theater marquee

an early ben gibbard haircut
black thick-rimmed glasses
a scar with a delicate history
under layers of concealer and foundation

shirt with an obscure band’s logo
an unbuttoned flannel
red and white
a heart with a brisk pace
cuffs just below their elbows
gnarled dandelion stem between their fingers

denim jeans
blue as summer sky
manufactured rips
on their knees
authentic wear
behind their ankles

adidas
the nice ones
green and gold
a bouncy toe within 

a calm shadow

Someone With My Face

Each section is based on the Oxford English Dictionary’s word of the day from July, 2023.

I. hornman, n.

I don’t really know 
what I’m doing anymore.

I feel like a spit valve
at the end of a show.

Every day is the same
four songs on repeat.

II. mug, adj.

Track 1:
the first things I see

are angry numbers
telling me to wake up,

roll out of bed,
make myself look human.

III. bummill baty, n.

Track 2:
I sit in a Starbucks drive-thru,

then I sit in backroad traffic
behind school buses,

before I sit in a cubicle
and enter data into a spreadsheet.

IV. mirligoes, n.

Track 3:
7359672056 tab 4214 tab 60.89 enter.

Thin, black numbers
in small, white boxes.

Veins between the pixels
come into view.

V. mingei, n.

Track 4:
Rectangles, rounded edges.

Talking heads in news rooms,
vlogs in cluttered bedrooms.

They all keep talking
into their own headphones.

VI. mizzler, n.

When does the
narrative begin?

Where is the
inciting incident?

Why must every day
bleed into the next?

VII. machinga, n.

When I was younger, people said
there were many paths.

They pitched careers like rolexes
on streets around tourist traps.

But “following my dreams”
stranded me in data entry.

VIII. raccoon, v.

Is it possible
to start over?

Take a different turn 
down a side street

on an evening walk,
not go back?

IX. anticipant, adj. and n.

Pack a duffel bag
just in case.

The mountain looms over
the end of the highway.

The exit sign shines
in the evening light.

X. rampike, adj.

A vision:
the highway twists,

decays like felled leaves
in the late-autumnal sun.

I take the exit
back home.

XI. asante sana, int. and n.

You should be thankful, Kenneth.
Many would kill

for what you have.
How dare you

take that for granted,
try to leave it all behind?

XII. whenua, n.

These trees, these hills
are home to me.

I know their stories;
they know mine.

Why would I leave
the only family I know?

XIII. shockeroo, n.

Stuck in limbo:
desire for change, comfort of not.

I am a boulder, but am I at
the bottom of a hill or the edge of a cliff?

I awake each morning
exasperated.

XIV. fetissan, adj.

Dig out my trumpet
from the back of the closet.

Lie on the bedroom floor,
on my back, eyes closed.

Let each note bounce off the ceiling
to give me an answer.

XV. minnowed, adj.

Eyes open.
Small black dots

scatter across the ceiling
like fish in a crowded pond.

The ghosts of fallen tears
connect my eyes to my ears.

XVI. deepfake, n.

At work, the next day,
I leave my body, watch

someone with my face
type on a keyboard endlessly.

Their face wrinkles, their hair greys,
They keep typing.

XVII. ecofact, n.

Above their desk
on the grey cubicle wall,

a flyer from a concert
ages ago

at Jazz Alley,
my name in large letters.

XVIII. articucho, n.

A pain in my chest
like an ice pick through my ribs.

There’s no air in this office.
Everything is so loud.

Even the lights 
are failing.

XIX. forslow, v.

Friday.
I’ll leave Friday.

I’ll pack the car,
leave the office

and never come back.
Definitely.

XX. hippodrome, v.

Friday evening.
Sparse highway.

The exit sign wears
a mask of wet leaves.

But my gas tank is low;
I can’t chance that.

XXI. raniform, adj.

Why is it
I jump

whenever I get close
to doing something

I want to do?
Why am I so scared?

XXII. snorker, n.

When I was younger,
I had a dream.

When I was younger,
I played carefree.

When I was younger,
I ran after what I wanted.

XXIII. nuchthemerinal, adj.

I sit down at the dining table
and it's Sunday.

The weekend blurred
like trees on the highway.

I haven’t moved.
I can’t move.

XXIV. apple bee, n.

An ad on Instagram.
An open mic

at the indie bookshop
downtown.

A stinger
in my chest.

XXV. duskus, n.

The sky
becomes dark

as the inside
of the bookshop

as the owner
steps up to the mic.

XXVI. raconteur, n.

Someone with my face
walks onto the stage

when my name is called.
They explain their history with

the song “Over the Rainbow”
while fiddling with their trumpet’s valves.

XXVII. racketiness, n.

Each note
out of their horn,

a memory
of a past life:

clubs, festivals, concert halls
all across the country.

XXVIII. aptronym, n.

They don't keep
to a set tempo.

Notes ebb and flow
over heads and bookshelves

like grey waves
over sea stars in tide pools.

XXIX. queemly, adv.

They smirk,
signal the audience

with a flip
of their left hand.

Their voices join
in the chorus.

XXX. merry-go-round, n.

When the last note ends,
sweat drips down my face.

Applause, cheers,
smiling faces, tears.

It feels
like home.

XXXI. delph, n.

Trumpet case
on the kitchen counter.

Bright office lights.
A din of keystrokes.

Listen to Donald Byrd
on my drive home.